Tarune Lets Us Cry

He introduced himself as a New Yorker first, then a twin, then as an actor who pivoted to music. As a teenager, he engineered a psychology radio show (in which emotion-stricken guests would call in about their life matters). During this time, he learned the reigns of audio recording. Giullian Yao Gioiello–under the stage name Tarune–dropped his newest single “is this the end?” on June 17 and intends to release an EP titled “let him cry.”

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Yoko Zhu Comment
ÊMIA Embraces Asian Collaboration in a Sea of NYC Chaos

For a really long time, I was told “Oh, you need to get this many followers in order to drop an album” or “You have to have this much money to make a music video.” And that's kind of the same advice that I got for this video project. I think if there's always a way to make something happen, I don't really believe in waiting until you're “ready.” People should just do whatever the hell they want. Just do it. That's super cheesy, but I mean it. 

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Isabel LaiComment
“The Summer I Turned Pretty” - Newcomer Sean Kaufman Talks About His Experiences in His First Major Role

“In the book, he had a much smaller role than I feel was brought to life in the show, which is awesome because I don't play him in the book I play him in the show. But I don't think there's many differences. He just gets fully fleshed out and in the show, which I can appreciate which I can really, I mean, it's kind of like a role that I feel like I can dig my claws into and you know, take apart.”

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Nicole Abriam Comment
Regina Ting Chen on Asian American representation and Stranger Things 4

“I remember in Texas I was submitting myself to every indie project there was, [from] the smallest role to the biggest role and then just ‘no,’ ‘no,’ ‘no,’ left and right. [My look] doesn't fit what they're used to seeing in society. But I just need people to take a chance and be like: you know what, her look doesn't totally fit what I'm envisioning. Or if they're open-minded: let's see what she could do.”

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Nicole AbriamComment
NoSo Stays Proud of Themself

“I’d written a lot of the songs between the ages of 19 to 22, which was a specific period in my life because in college I was grappling with certain experiences. I just still think of those as my teen years [because] even though you're technically an adult at 18, I certainly did not feel that way. Towards the end of the album, the songs just feel more mature in terms of content, and a lot of the songs were created when feeling like a misunderstood teen.”

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Kate HadaComment
Ocean Vuong and the Kindling of Community

“Vuong's work was so immediately resonant it felt overwhelming. Reminded of his name, I'd compare it to all the times I was almost swallowed at sea as a child – under the same mass my Vietnamese family survived. His writing brought me back to a world I knew, yet hadn’t begun to explore. It held me as much as it swallowed me.” With the recent release of Vietnamese writer Ocean Vuong’s second poetry collection Time is a Mother, staff poet Sebastian Snow reflects on their connection with the writer.

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Stephanie Poetri Pictures Herself Creating

“Before [‘Picture Myself’], I was always scared to go back to soft acoustic pop because I thought that ‘I Love You 3000’ did that already, and I didn’t want to repeat myself. But after realizing that this vibe and sound is what I wanna do for a long part of my career, I’m no longer so scared to go back to that, and it's definitely the path I’m going for this era.”

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Sydney Ling Comment